UNSTOPPABLE, Tony Scott's final movie before his suicide, is a great swansong from the director. It's very much in the spirit of his previous output, in that it's a straightforward action-thriller, stylish, fast-paced and entertaining. It's very much like SPEED but without all that 1990s-era cheesiness that has dated that movieOf course, runaway train movies are nothing new, but this one ticks all the boxes. It has interesting central characters (Denzel Washington can near enough sleepwalk through these parts now, but that doesn't make his acting any the less enthralling, while Chris Pine is much better than he was in the overrated STAR TREK) and a dynamic relationship filled with realistic repartee. There's a high level of engaging technical detail that makes the plot feel true to life, despite the bombastic nature of its more out-there action bits.Strip away any kind of sentimentality, add in a pulsing soundtrack and some great set-pieces, throw in plenty of suspense and tension and top it all with Tony Scott's dynamic direction....yeah, I think this is one of his best, up there with ENEMY OF THE STATE and CRIMSON TIDE, and much better than the slightly lacklustre TAKING OF PELHAM 123 remake which preceded it.
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Director Tony Scott's Unstoppable is an action thriller about a runaway train full of hazardous materials and the people who try to stop it from creating a disaster, and Harry Gregson-Williams' score naturally follows the contours of the editing, sometimes suggesting the concerns of the heroes (Denzel Washington and Chris Pine), sometimes accompanying the train on its headlong journey. To do so, Gregson-Williams employs a string orchestra consisting only of violins, violas, celli, and basses, which mostly content themselves to provide wistful, somewhat ominous figures in support of the real engines of the music, the synthesizer sounds dominated by pounding percussion. Within individual cues, Gregson-Williams often goes back and forth, for instance in "Are You In or Are You Out?," alternating between the rapid electronic beat sections and brief slow interludes of strings to conform to the film's cutting. The action lets up only with the final cue, "Who Do I Kiss First," underlying the end credits, by which time that unstoppable train finally must have been stopped.
By Aaron WallaceUnstoppable doesn't waste any time. The premise is established within minutes of opening and the central story is already underway while there's still plenty of popcorn left in the bowl. The fast pace compliments the taut narrative, which has a momentous story to tell in only a short amount of time... maybe just the right amount of time. The plot summary reads like a fact pattern. As a result of employee error, a train is unmanned and out of control, hurtling at full speed toward a risky bend in a Pennsylvania railway. Runaway trains aren't uncommon, we're told, but this is a worst-case scenario. The train's air breaks aren't connected. Eight of its cars are filled with some of the most explosive chemicals imaginable. That railway bend it's headed toward? It's surrounded by a giant oil depot that will light up the Eastern seaboard if there's a collision -- and there will be a collision if that train passes at more than twenty miles per hour. It's currently moving at more than seventy. Every city the engine will pass is more populated than the last, and there's precious little time for evacuation. To make matters worse, there are other trains on the tracks too. One of them is hosting a field trip, which means its passengers are mostly schoolchildren. The other important train on the path has only two men aboard: seasoned rail engineer Frank Barnes (Denzel Washington) and young conductor Will Colson (Chris Pine, Star Trek). The latter is new to his job and might have gotten it because of family connections. Barnes is skeptical of Colson's smooth sailing into the new gig, and the overconfident novice doesn't appreciate it one bit. Headstrong Colson's stubbornness results in a small error that comes at a big price. Because of it, these two men are stranded as the locomotive's most likely victims. Their contentious relationship must be put aside if they're to live, and if they do that, they might have a shot at becoming heroes too.All of the facts in Unstoppable come together in a perfect storm of misfortune. Not since Final Destination has Murphy's Law guided a film with such fatalism. And yet however unlikely it all seems, to the extent of what most of us know about trains, it all appears entirely possible too. For that matter, something quite like this did in fact happen once, and that true-life event, known as the "Crazy Eights" incident, inspired the film. This is a riveting experience, with not one second squandered on anything that doesn't keep you on the edge of your seat. At 98 minutes, it's a short movie, but it seems even shorter, flying by with the audience's rapt attention at full alert. Director Tony Scott and screenwriter Mark Bomback emerge as masters of narrative, hardly a consistent achievement for either of them in the past. Probably the most interesting component of the movie is its signature storytelling device: the network news report. Countless journalists are live on location and following the train as the whole nation watches on in horror and suspense. Scott uses them for exposition and to build tension. Just like real reporters might, they fill us in on every little problem, both actual and potential, and frequently remind us of just how devastating the end result could be.The news reports effectively make viewers forget that we're watching a movie. For big portions of the run, Scott makes us feel like we're watching a live news report instead, like this is actually happening and breaking live on TV. The film has that kind of urgency, and it's electrifying. News networks wish they had something this compelling to fill a 24-hour cycle. After an hour and a half, we've seen little more than an action movie. Unusually engrossing and satisfying, but still just an action movie. That doesn't mean there isn't depth. The characters are archetypal but their interactions totally believable. With just a minute or two devoted to backstory for each Frank and Will, the movie supplies enough to feel for their families when they find out what's going on, and more than enough to root for these two brave men to make it out of this okay.The all-star cast also includes Rosario Dawson, Kevin Dunn, Ethan Suplee, and Kevin Corrigan. Each of them, our two leads and the various bit actors all deliver solid performances. I've often been critical of Washington's acting, but while he's no different here than he has been in anything else, he fits his character's bill perfectly. All the drama comes from the action, which means this isn't exactly an actors' film, but they handle their work as if it is.There's even a moral to the story, the one about sacrifice and heroism that we've heard plenty of times before. There's something refreshing about it, though, because the screenplay doesn't have to tell us who the heroes are. We see it for ourselves. I can recall the word being used twice but the movie simply won't slow down long enough for sentimentality. Neither Frank nor Will make any bones about the true motivation for their actions, which has more to do with saving their relationships with their estranged families than anything else. But we see the spark of heroics in them anyway, and then we hope we'd find it in ourselves too. Unstoppable will change neither cinema nor your life. It isn't an important movie or necessarily a great one, but it's one of 2010's most finely made. Now it's available on both Blu-ray and DVD. For a deeper look at the Blu-ray, which also includes a digital copy, keep reading below.
The film where a man will download his mind into a computer and then become unstoppable is titled "Transcendence" (2014). "Transcendence" is an American science fiction thriller that was directed by cinematographer Wally Pfister in his directorial debut. The film's screenplay was written by Jack Paglen. The film stars Johnny Depp, Morgan Freeman, Rebecca Hall, Paul Bettany, Kate Mara, Cillian Murphy, and Cole Hauser.
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Unstoppable picks up where the 2011 hit movie Soul Surfer leaves off, taking audiences on the journey of a young woman relentless in her pursuit to become one of the leading professional surfers in world.*
The name of your new documentary is Unstoppable. Your movie, Soul Surfer came out in 2011. Why the desire to make this film after the success of a movie that told your story pretty well and was a hit at the box office?
My greatest hope is that people would be inspired in their own journeys to live unstoppable and to be overcomers. I would love for people to know that God has a deep love for them and embracing of who they are. There are so many takeaways that everyone will kind of hear what they want to hear but I'm just excited to share my life with people.
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